August 2005

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Sometimes what I come across in my pile of drawings is a fragment, like this. I like the boldness of the line, the feel of the line (gotten from a heavy inked brush on a nicely textured watercolor paper). I dig it and it reminds me of a retro-1950’s style as seen in things like PowerPuff Girls, but the fact is, it’s lacking. It’s missing a whole chunk out of it? Why? I have no idea.

Squinty Big Hair Girl (fragment), 1998

The magic comes after scanning. Some copying and pasting of other elements, some stretching and bending of 18 year old strokes, and it can actually become what it was destined to be. Some colorization and tricky Photoshoppery and this fragment can actually become a complete illustration. I added a sort of veronica lake line over her face, that was a fragment from the left side of the hair stretched and doubled. I added an ear from a whisp of hair from the right side. The sweater lines are likewise from the hair. It almost looks intentional.

Squinty Big Hair Girl, 2005

It’s fun working with myself.

Self Portrait, 1988

Self Portrait, 1988

O callow youth! Doing a Mirror Project thing in this photo.

Joe at 18.

(Wasn’t there a tv show called James at 15)?

Well, of course it was. A TV movie first, apparently. It was good and only lasted a year. What a surprise.

Had an excellent time with Leah at the Bruce Sterling speech at Art Center last night. Inspirational for me. And a nice drive home. Bruce Sterling inspires me.

And I love Leah.

Bronchoscope, 1993

Bronchoscope, 1993

In color! (I carried around a set of colored pens and drew this one in a travel scrapbook that is mostly filled with memories of a Europe trip I took with my parents and sister).

At UVa I was one of the Respiratory Therapists on the bronchoscopy team. Basically we assisted on bronchoscopies for patients who needed to have their lungs looked at with fiber-optics. I assisted on some odd ones. I remember one very critically ill patient, their circulation was supported heavily with vasopressors and I think he was an ARDS on top of preexisting pulmonary fibrosis—the inside of their lungs seemed to be filled up with black tar. Really terrible. I worked the night shift at UVa, so there were no “day in day out” bronchoscopies, it was usually people who were very sick. The Pulmonologists were all really cool, and it was fun to be in that assist role. They want saline, you have the saline ready. We maintained the bronch cart and assured we were ready for anything. It was actually quite fun, despite the seriousness of the job.

When a patient already has an endotracheal tube in, adding a bronchoscope can get dicey if you’re making sure they get their ventilation properly. High peak airway pressures can add some adventure, and you do your best.

Mind you, my RT skillz are over 10 years old, which sort of still amazes me, because I don’t know that the technology of bronchoscopy and mechanical ventilation has changed all that much. Then again, computer and internet technology has changed by leaps and bounds in the same intervening time.

Strange Idol, 1990

Strange Idol, 1990

In pencil. Quasi Mayan or Aztec, but I suppose it could be North American Indian / Native American.

What inspired me to make it I have no idea, probably the idea was to make something in the style of totem poles. The result is interesting to me now for how out of place it seems among my other drawings and doodles. It’s also in pencil, a rarity because I always think of pencil as imprecise and weak. Silly really, it’s all just tools.

I was about 20 years when I made this, I think. Though I may be off by + or – a year or two. My best estimate is 1990.

Artist, 1988

Artist, 1988

I always seemed to be drawing this guy. Longish hair with a curl at the end, mustache, and a beret. The iconic artist. If I posted one artist drawing a day from my files I could probably go 3 months with just pictures of this guy in particular. I was always doodling him.

Huh, that description sounds like how my Mom described her Dad, my grandfather, and how he would draw this dog.

Interesting.

Twenty Years From Now Book, Joe Crawford, Age 8, 1978

100’s and 1000’s of dollars.

Note: at the time my Dad was a Physician’s Assistant, a PA, not a Doctor. That’s a distinction that my 8 year old self could not make. Wears white coat? Helps people? Works in hospital? = Doctor.

Here’s the text:


By: Joe Crawford

I want to be a doctor because they help the sick and my dad is a doctor.

Also, being a doctor you make 100’s and 1000’s of dollars a year. I will have a wife and three kids. And for transportation I am going to get a Porche. For fun I’ll go to Disneyland, Magic Mountain and fairs. I’m going to live in San Diego in a little green house.

What is this? Why it’s this:


What will you be doing 20 years from now?

Room 10 at Park School thinks they know…

Grade 3
Spring 1978
Mrs. Pfeiffer, Teacher

This is Park School. I used to walk to school from the apartment we lived in which was literally two blocks away. I went there for grades Kindergarten through third grade. This is the school where partway through K, they bumped me to First grade. Being promoted like that was critical to my formation as an adult, though in retrospect it might have been easier on me to not have been.

Does anyone really know at age 8 what they want to be when they grow up?

It’s funny, but the internet already existed in 1978. Little did I know.

And I wanted to drive a Porche?

Andy Warhol (2), 1988

I said before I’d post the Andy Warhol images I had. As far as I know this one and the last one are the only ones I have.

Andy was a hero, and I remember crying when he died. It’s strange. I have not cried for many deaths of famous people. I cried when Stanley Kubrik died, but beyond him and Andy I never really did. David Bowie plays Warhol in the film Basquiat and I find myself really affectionate for Andy. Such an odd, peculiar man he was. I don’t know that I did very good justice to Andy, but I remember my affection like crazy. And strangely enough, it’s still there, for this person I never met. Leah might call that a kind of fandom. I think it’s something about heroes, and Andy was definitely one of my heroes.

Andy Warhol (1), 1988

Andy Warhol (1), 1988

Over on my flickr account, I just posted a very old image from when I was 13 years old. I’m calling it an “Autobiographical Mise en Scene,” though I don’t think that at age 13 I would use a term like “mise en scene”—but if I knew it I bet I’d try. Autobiographical Mise en Scene, 1983 At the regular resolution I annotated (go to the page and mouseover the image, and see the little rectangles to see what I mean) what all the parts of the image mean and what they meant, and what I think they meant to me. It’s very interesting to peer inside my head at 13. I note that I signify both the T-Ball teams I had been on: The A’s in Alhambra, and the International Harvester Hitters in The Philippines. I was not athletic, and I wonder why I would note that then, about 4 years from having been on any kind of team sport. I suppose it meant something to me. I love the little drawing of the TI-99/4a home computer, along with little snippets of TI-Basic. That’s nifty. You can see a closeup view of the image here.

It looks like it was done entirely with calligraphy pens. I had a set of red, green, black, yellow, and blue pens. When dealing with my stepkids, it always behooves me to think about their inner lives, which are no doubt rich. When I look at this, I see how deep I was pondering what it meant to be me, trying to sum up my life, what does it mean? Who am I?

I suppose I do that too, with this site, and with these posts. It’s a good process.

Self: Art Crawford, 1988

Look at me. I look a bit hapless, which is how I felt at the time. This is more-or-less a retracing of a previous self-portrait, but with a longer haircut, and is that a soul patch? Goodness me.

And I was going by “Art,” hacking on my identity and using my middle name instead of my first.

Not a bad likeness, though the physiology does not quite work.

An interesting self-portrait.

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