Tags → drawings
Jesus Arthur Silva—“Art”—was born on this day 100 years ago, February 6, 1921. I remember visiting him at grocery stores in San Diego like Big Bear or Food Basket, where he got assigned to whip their produce departments into shape. I wish I could ask him about working in a town that went from 80 thousand people to over 2 million in his lifetime. I want to ask him if it’s true he sold tamales on the streets of downtown. I want to ask him what kept him going when times were hard, working multiple jobs. How did he and Nanie raise 7 great kids? I was 17 when he died. I don’t have a photograph of him working. I’ve drawn him how I imagine he would have looked. Sharp, kind, diligent. After he passed, my mother missed him terribly. A great man. 100 years ago today.
In the 1980s I loved to make Christmas/New Years/Holiday cards. I drew this Technocratic, nearly cyberpunk Santa with a Micron Pigma pen in size 005. That’s still an excellent pen. 32 years later I’ve refined and colored him digitally. I didn’t do paper greeting cards this year. Maybe next year. It’s been an impossibly hard year, and my drawings have comforted me. Be well, take care.
Do You Want To Art Trade?! “Cube Cat’s Drink” is Riso printed by the amazing @burn_all_books at 8-1/2″x11″. Do you have a physical zine you’re proud of? Or an original drawing? Or a killer sticker? This is an experiment in art-trading. I love mail and I love physical art. I’ve got 23 ready to go. DM me and let’s do a deal!
I felt moved to add an image to the #JTLArtChallenge — art against the Duterte #JunkTerrorBill which can mark critics of the Philippine government as “terrorists.” I am not Filipino but have great love of both freedom and Filipino culture, especially #VoltesV who would definitely be against this bill!
“Force does not work the way its advocates seem to think it does. It does not, for example, reveal to the victim the strength of his adversary. On the contrary, it reveals the weakness, even the panic of his adversary, and this revelation invests the victim with patience. Furthermore, it is ultimately fatal to create too many victims. The victor can do nothing with these victims, for they do not belong to him, but—to the victims. They belong to the people he is fighting. The people know this, and as inexorably as the roll call—the honor roll—of victims expands, so does their will become inexorable: they resolve that these dead, their brethren, shall not have died in vain. When this point is reached, however long the battle may go on, the victor can never be the victor: on the contrary, all his energies, his entire life, are bound up in a terror he cannot articulate, a mystery he cannot read, a battle he cannot win—he has simply become the prisoner of the people he thought to cow, chain, or murder into submission.” ― James Baldwin
Drawing! Today: untoyed robots. I’d like to have toys of these three. But they don’t really exist. Who are they? Chappie (2015) is a film about a police bot who gets a conscience, sort of. 7-Zark-7 was a character added to Gatchaman (1972) to adapt it into the tv show Battle of the Planets (1978). And Irona is from the 1950s sometime. She’s Richie Rich’s robot maid and bodyguard from the comics and tv. #chappie #battleoftheplanets #7zark7 #irona
Me and some cool cats in my contribution to Sundays Quarterly zine. Published by @burn_all_books. Get one for yourself! If you become a BAB supporter you can get art monthly! #risograph #risoprinting #risocomic