Drop Everything for this Stew Interview
Hilarious and insightful, as he often is:
Here’s a quote!
What did you know about theater or Broadway before you developed this show?
Very little. I had a lot of respect for people like Bertolt Brecht. I had read Brecht, and he touches a lot of rock performers more than any other theorist or writer in the theater world, I think, because his theories are very rock ‘n’ roll. Like the way he talks about the way an actor plays a role without trying to make anyone think that they are that character, and reminds the audience that they’re watching a play. In high school, when you’re a rock ‘n’ roll stoner, your mortal enemies are the thespians. We thought that musical theater was the dorkiest thing in the world and had nothing to do with the music we listened to. And quite frankly we still feel that way. I mean, uh, we don’t understand why Broadway doesn’t, for the most part, utilize the music of the street, the car, the headphones.