Play Misc-y for Me
I’ve been reading and listening to lots about animation, and one of the more fun things has been Spline Cast, a podcast about 3-D animation.
My favorite podcast right now is Dave Ramsey’s 1 hour version of his show. Don’t bother with the 3-hour version, it’s not really free.
My previous favorite podcast is Harry Shearer’s amazingly witty, terribly dry podcast “Le Show.” Supremely funny stuff to me.
The coming Scriptaculous 1.8 library looks like it has some new and powerful stuff in it.
In that video, I learned what an IBM 3270 is, and that the basic interaction model is what the web became. The central takeaway from this talk for me is the insight that any web page that pulls from more than one site is a mash-up. Just because you’re not using Y!Pipes or Google Mashup Editor doesn’t mean it’s not a mash-up.
Meanwhile, in 1980s pop music video news, watch this video of the Go-Go’s: Turn to You:
via Open Culture, check out this interactive Map (and Timeline) of Religion.
via We Make Money Not Art, Milk and Tales are a darned interesting art/design group that make interesting, immersive, interactive, artistic installations and public art. This is really interesting work to me. It merges my HCI interests with public art. Here’s a quote to pique your interest:
We started to work on interactive installations together as an offshoot from the course where we were fine-tuning our skills in creating narrative environments. A narrative environment is an experience or a place designed to communicate a story, is hopefully engaging and a place for dialogue. Interactive environments are inevitably linked to narrative environments. We’ve got a mix of skills and are very happy designing both.
Rafe Colburn points to this nice essay: LinkedIn and Facebook and how they are the same and how they are different. The first thing I thought of after reading it was this comment by Sassy: “LinkedIn for work, facebook and myspace for fun. There’s no more room for anything else.”
Cartoonist and illustrator (of both adult and for-kids works) Ellen Forney asks a great question:
I decided long ago not to have a pseudonym to distinguish my work for kids from my work for adults. No separate websites, no separate business cards. And no separate blogs, which is actually starting to feel a little weird. Is it weird? I just figure people can sort it out for themselves.
And if you ever wanted to watch Vanna White and Pat Sajak talk about fonts, I have you covered, via waxy.org links
That’s all for this morning from Misc-ville.
Joe Crawford posted this 16 years ago.
What else did he post in October 2007?
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